Representing the vice of greed, this image belongs to a series of prints of the Seven Deadly Sins, engraved by Pieter van der Heyden after drawings by Pieter Bruegel the Elder. Pieter Bruegel, the Elder, byname Peasant Bruegel, Dutch Pieter Bruegel De Oudere or Boeren Bruegel, Bruegel also spelled Brueghel or Breughel, (born c. 1525, probably Breda, duchy of Brabant [now in the Netherlands]—died Sept. 5/9, 1569, Brussels [now in Belgium]), the greatest Flemish painter of the 16th century, whose landscapes and vigorous, often witty scenes of … 6 mai 2019 - Découvrez le tableau "Pieter Bruegel l'ancien" de Guy Mérat sur Pinterest. [52] They include paintings after some of Bruegel's drawn print designs, especially Spring. Bruegel's art was long more highly valued by collectors than critics. F. W. H. Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, ... After Pieter Bruegel the Elder (Netherlandish, Breda (?) Even if Bruegel's subject matter was unconventional, the religious ideals and proverbs driving his paintings were typical of the Northern Renaissance. The Reformation meanwhile produced a number of Protestant denominations that gained followers in the Seventeen Provinces, influenced by the newly Lutheran German states to the east and the newly Anglican England to the west. Gibson, Walter S. (1977) :) . Jan was much more original, and very versatile. Landschap met de Val van Icarus. At bottom center: Cock.excud.cum priuileg.1558. [36] Some of the most famous paintings from this series included The Hunters in the Snow (December–January) and The Harvesters (August). Pieter Brueghel l'Ancien 1560. Most surviving drawings are finished designs for prints, or landscape drawings that are fairly finished. 57, as Pieter Bruegel I (? Some of his earlier paintings, such as his Landscape with the Flight into Egypt (Courtauld, 1563), are fully within the Patinir conventions, but his Landscape with the Fall of Icarus (known from two copies) had a Patinir-style landscape, in which already the largest figure was a genre figure who was only a bystander for the supposed narrative subject, and may not even be aware of it. The plot of Pieter Brueghel s picture called The Blind Leading the Blind (1568) is connected with the Evangelic parable about an irrational blind man, who agreed to be a guide for his fellow-sufferers. In many cases we also have Bruegel's drawings. Afficher en réalité augmentée. [20], He left Italy by 1554, and had reached Antwerp by 1555, when the set of prints to his designs known as the Large Landscapes were published by Hieronymus Cock, the most important print publisher of northern Europe. [12] Bruegel possibly got this work via the connections of Mayken Verhulst, the wife of Pieter Coecke. Verougstraete, H. Van Schoute, R., Bruegel et Pétrarque: une évocation de Laure dans le Triomphe de la mort de Pierre Bruegel l´Ancien, Studi di Storia dell ´arte in honore di Maria Luisa Gatti Perer, Milan, 1999, pp. The various examples of greedy … By name Peasant Bruegel, Dutch Pieter Bruegel De Oudere, or Boeren Bruegel, Bruegel also spelled Brueghel, or Breughel the greatest Flemish painter of the 16th century, whose landscapes and vigorous, often witty scenes of peasant life are particularly renowned. View in Augmented Reality. ", Grove: "none of the three Flemish villages of that name is close to Breda". Bruegel adapted and made more natural the world landscape style, which shows small figures in an imaginary panoramic landscape seen from an elevated viewpoint that includes mountains and lowlands, water, and buildings. ; Wied, 18, says two of the villages (Groot Bruegel and Cleyn Bruegel) are close to. In this atmosphere Bruegel reached the height of his career as a painter. Most of Bruegel's prints come from this period, but he continued to produce drawn designs for prints until the end of his life, leaving only two completed out of a series of the Four Seasons. He is sometimes referred to as "Peasant Bruegel", to distinguish him from the many later painters in his family, including his son Pieter Brueghel the Younger (1564–1638). Via dei Lavoratori, 78 20092 Cinisello Balsamo (Milano) Tel +39 0245395101 FAX +39 0245395151 Something amazing, a boy falling out of the sky, Mielke's key observation was that the lily watermark on the paper of several sheets was only found from around 1580 onwards, which led to the rapid acceptance of his proposal. Pieter Bruegel was instrumental in making both types of subject the focus in large paintings. [11], In contrast, scholars of the last sixty years have emphasized the intellectual content of his work, and conclude: "There is, in fact, every reason to think that Pieter Bruegel was a townsman and a highly educated one, on friendly terms with the humanists of his time",[12] ignoring Van Mander's dorp and just placing his childhood in Breda itself. [12], There are about forty generally accepted surviving paintings, twelve of which are in the Kunsthistorisches Museum in Vienna. undefined. Orenstein, 276–277, and following catalogue pages for individual works. From a bird’s-eye view – the only way Bruegel could legibly fit in the impressive number of figures – the viewer looks down onto a wide square with a transition from an urban to a rural setting at the edges. Through David Teniers, the family is also related to the whole Teniers family of painters and the Quellinus family of painters and sculptors, since Jan-Erasmus Quellinus married Cornelia, daughter of David Teniers the Younger. This had been partly explicable when his work was mainly known from copies, prints and reproductions. ca. Many of his peasant paintings fall into two groups terms of scale and composition, both of which were original and influential on later painting. Above the two slippery fishes, a puffy gnome carrying a sundial and a plumed helmet, brandishes a sword. [53] Outside the Brueghel family, early figures were Adriaen Brouwer (c. 1605/6-1638) and David Vinckboons (1576–c.1632), both Flemish-born but spending much of their time in the northern Netherlands. | Eere beleeftheijt | scaemte | noch godlijck vermaen En siet die scrapende ghiericheijt niet aen. [53], The next century's artists of peasant genre scenes were heavily influenced by Brueghel. Their grandmother, Mayken Verhulst, trained the sons because "the Elder" died when both were very small children. The Council of Trent, which concluded in 1563, determined that religious art should be more focused on religious subject-matter and less on material things and decorative qualities. Published by -Bibliothèque Royale Albert Ier - (1969) Used. He moved in the lively Humanist circles of the city, and his change of name (or at least its spelling) in 1559 can be seen as an attempt to Latinize it; at the same time he changed the script he signed in from the Gothic blackletter to Roman capitals. 1: 26–27. Bruegel may have felt safer with a secular commission so as to not offend Calvinist or Catholic. Pieter Bruegel (also Brueghel or Breughel) the Elder (/ˈbrɔɪɡəl/,[2][3][4] also US: /ˈbruːɡəl/;[5][6] Dutch: [ˈpitər ˈbrøːɣəl] (listen); c. 1525–1530 – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. ... See also K. Ertz in the catalogue of the … Pieter Breughel the younger (1564 -1638) PeinturePeintre FlamandArt De La RenaissancePeinture RenaissanceLes ArtsPeintures AnciennesPeintrePeinture FlamandeArt The date of Bruegel's lost original is unclear,[32] but it is probably relatively early, and if so, foreshadows the trend of his later works. [24] With one exception, Bruegel did not work the plates himself, but produced a drawing which Cock's specialists worked from. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. In 1517, about eight years before Bruegel's birth, Martin Luther created his Ninety-five Theses and began the Protestant Reformation in neighboring Germany. This is according to Van Mander; although there is no documentation and little evident stylistic influence from his future father-in-law, modern scholars generally accept this. "Hagens": Hagen, Rose-Marie; Hagen, Rainer, This page was last edited on 12 January 2021, at 11:11. As it had to on the white legs disappearing into the green Growing up at a time when religious subjects were passé, he also did not paint portraits. In the picture The Blind Leading the … The banker Nicolaes Jonghelinck owned sixteen paintings; his brother Jacques Jonghelinck was a gentleman-sculptor and medallist, who also had significant business interests. One of a number of panel paintings devoted to religious art, this picture (commissioned by the Antwerp art collector Niclaes Jonghelinck and now in the Kunsthistorisches Museum, Vienna) was the second of three versions of the biblical Tower of Babel, painted by Pieter Bruegel. Back in Antwerp from Italy he was commissioned in the 1550s by the publisher Hieronymus Cock to make drawings for a series of engravings, the Large Landscapes, to meet what was now a growing demand for landscape images. 660-661, 713, no. Pieter Bruegel the Elder (ca 1525-1569), The Fall of the Rebel Angels, 1562, detail, oil on oak De Val van de opstandige Engelen, detail. Pieter Bruegel the Elder 1566-1569. Author Don Delillo references Bruegel's painting The Triumph of Death in his novel Underworld and his short story "Pafko at the Wall". US$ 54.86. … The Dirty Bride or The Wedding of Mopsus and Nisa. At his "House of the Four Winds" Cock ran a well-oiled production and distribution operation efficiently turning out prints of many sorts that was more concerned with sales than the finest artistic achievement. Had somewhere to get to and sailed calmly on. Here a fight has broken out between two peasants armed with a pitchfork and a flail, and four others, including two brave women, attempt to intervene, with painful results. K. Ertz, Pieter Brueghel der Jüngere (1564-1637/38): die Gemälde mit kritischem Oeuvrekatalog, Lingen, 2000, II, pp. Below woman in center with coins in her lap: AVARITIA. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. Hieronimeme", label QS:Lde,"Landschaft mit Hl. This page was last edited on 20 January 2021, at 00:05. It also was the subject of a 1960 poem by William Carlos Williams and was referenced in Nicolas Roeg's 1976 science fiction film The Man Who Fell to Earth. J. de Coo, 'Die bemalten Holzteller, bekannten und neuentdeckte ihr Schmuck und seine Herkunft', Wallraf-Richartz-Jahrbuch, XXXVII, 1975, pp. Using the Bible to interpret this painting, the six blind men are symbols of the blindness of mankind in pursuing earthly goals instead of focusing on Christ's teachings. Bruegel often painted community events, as in The Peasant Wedding and The Fight Between Carnival and Lent. For Bruegel, this was a large commission (the size of a commission was based on how large the painting was) and an important one. Orenstein catalogues the prints in chronological order, as far as it is known. Have heard the splash, the forsaken cry, Pieter Brueghel ou Bruegel (/ˈpitəɾ ˈbɾøːɣəl/) dit l'Ancien est un peintre et graveur brabançon né vers 1525 et mort le 9 septembre 1569 à Bruxelles dans les Pays-Bas espagnols. Thames and Hudson pp 147–148. [38], The prints are mostly engravings, though from about 1559 onwards some are etchings or mixtures of both techniques. A giveaway was that two drawings including the walls of Amsterdam were dated 1563 but included elements only built in the 1590s. His earlier style shows dozens of small figures, seen from a high viewpoint, and spread fairly evenly across the central picture space. Read about Pieter Bruegel's Triumph of Death painting. 534. In the foreword to his novel The Folly of the World, author Jesse Bullington explains that Bruegel's painting Netherlandish Proverbs not only inspired the title but also the plot to some extent. The marriage itself was concluded in the Chapel Church, Brussels in 1563.[44][45]. Although Bruegel did not live to see it, seven provinces became independent and formed the Dutch Republic, while the other ten remained under Habsburg control at the end of the war. They are larger than most previous works, with a genre scene with several figures in the foreground, and the panoramic view seen past or through trees. Michael Frayn, in his novel Headlong, imagines a lost panel from the 1565 Months series resurfacing unrecognized, which triggers a mad conflict between an art (and money) lover and the boor who possesses it. From: Paul Brown (Ramsgate, United Kingdom) Seller Rating: Add to Basket. During several centuries, this parable served as a didactic lesson for people whose behavior was dominated by spiritual blindness. Orenstein, vii gives the total; fifty-four were in the exhibition and are catalogued, and most others illustrated. [16], Between 1545 and 1550 he was a pupil of Pieter Coecke, who died on 6 December 1550. Convert currency. The Land of Cockaigne (1567), Alte Pinakothek, an illustration of the medieval mythical land of plenty called Cockaigne, The Peasant and the Nest Robber (1568), Kunsthistorisches Museum, Vienna, The Peasant Dance (1568), Kunsthistorisches Museum, Vienna, oil on oak panel, The Beggars (The Cripples) (1568), Louvre, Paris, oil on panel. Bruegel's painting Two Monkeys was the subject of Wisława Szymborska's 1957 poem, "Brueghel's Two Monkeys".[60]. Jean Bastiaensen, “De verloving van Pieter Bruegel de Oude. [54] Forty years after their deaths, and over a century after Bruegel's, Jan Steen (1626–79) continued to show a particular interest in Bruegelian treatments. You can also buy Bruegel prints from our large gallery. From Wikimedia Commons, the free media repository, date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1526-00-00T00:00:00Z/9,P1326,+1530-00-00T00:00:00Z/9, label QS:Lhu,"Krisztus és az apostolok a Genázáreti tó partján", label QS:Len,"Landscape with Christ and the Apostles at the Sea of Tiberias", label QS:Lpl,"Krajobraz z Chrystusem i apostołami na Jeziorze Galilejskim", label QS:Lde,"Christus und die Apostel am See Genezareth", medium QS:P186,Q296955;P186,Q287,P518,Q861259, label QS:Len,"The Adoration of the Kings", date QS:P,+1556-00-00T00:00:00Z/9,P1480,Q5727902, medium QS:P186,Q175166;P186,Q12321255,P518,Q861259, label QS:Len,"Landscape with the Parable of the Sower", label QS:Lde,"Flusslandschaft mit einem Sämann", label QS:Len,"The Temptation of St Anthony", medium QS:P186,Q296955;P186,Q12321255,P518,Q861259, label QS:Len,"The Drunkard pushed into the Pigsty", label QS:Lpl,"Pijak wepchnięty do chlewu", label QS:Lhu,"Részegest a disznóólba lökik", label QS:Len,"Landscape with the Fall of Icarus", label QS:Lde,"Landschaft mit dem Sturz des Ikarus", label QS:Lhu,"Tengeri ütközet a Nápolyi öbölben", label QS:Len,"Naval Battle in the Gulf of Napless", date QS:P,+1558-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Lhu,"A karnevál és a böjt csatája", label QS:Len,"The Fight Between Carnival and Lent", label QS:Lde,"Streit des Karnevals mit der Fastenzeit", label QS:Lde,"Die niederländischen Sprichwörter", medium QS:P186,Q175166;P186,Q287,P518,Q861259, date QS:P,+1562-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Len,"The Fall of the Rebel Angels", label QS:Lde,"Sturz der gefallenen Engel", label QS:Len,"Landscape with the flight into Egypt", label QS:Lde,"Landschaft mit der Flucht nach Ägypten", date QS:P,+1564-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Lhu,"Téli táj korcsolyázókkal és madárcsapdával", label QS:Len,"Winter Landscape with Skaters and Bird Trap", label QS:Lde,"Winterlandschaft mit Eisläufern und Vogelfalle", label QS:Lhu,"Krisztus és a házasságtörő asszony", label QS:Len,"Christ and the Woman Taken in Adultery", label QS:Lde,"Christus und die Ehebrecherin", label QS:Len,"The Wine Of Saint Martins Day", label QS:Lde,"Der Wein zum Fest des Heiligen Martin", label QS:Lhu,"A betlehemi gyermek mészárlás", label QS:Lde,"Der Bethlehemitische Kindermord", label QS:Lhu,"Keresztelő Szent János prédikációja a pusztában", label QS:Len,"The Sermon of Saint John the Baptist", label QS:Lde,"Die Predigt Johannes des Täufers", date QS:P,+1566-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Len,"Adoration of the Kings in the Snow", label QS:Lde,"Die Anbetung der Könige im Schnee", date QS:P,+1567-00-00T00:00:00Z/9,P1480,Q5727902, date QS:P,+1568-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Len,"The Peasant and the Birdnester", label QS:Lde,"Der Bauer und der Vogeldieb", label QS:Len,"The Blind Leading the Blind", medium QS:P186,Q165447;P186,Q127418,P518,Q861259, label QS:Lhu,"Kolostor délen egy völgyben", label QS:Len,"Southern Cloister in a Valley", label QS:Lpl,"Południowy klasztor w dolinie", label QS:Lde,"Landschaft mit italienischem Kloster", label QS:Len,"Wooded Landscape with Mills", medium QS:P186,Q127418;P186,Q11472,P518,Q861259, label QS:Len,"Mountain Landscape with Ridge and Valley", label QS:Lpl,"Górski krajobraz z grzbietem i doliną", label QS:Lhu,"Hegyi táj hegygerinccel és völggyel", date QS:P,+1552-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Lpl,"Karawana mułów na zboczu wzgórza", label QS:Lhu,"Öszvérkaraván a domboldalon", date QS:P,+1552-54-00T00:00:00Z/10,P1480,Q5727902, date QS:P,+1553-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Len,"Landscape with a fortified town", label QS:Lpl,"Krajobraz z ufortyfikowanym miastem", label QS:Lde,"Landschaft mit einer befestigten Stadt", medium QS:P186,Q165447;P186,Q11472,P518,Q861259, label QS:Len,"Landscape with Saint Jerome", label QS:Lpl,"Krajobraz ze św. [10] Nothing at all is known of his family background. [15] His master, according to Van Mander, was the Antwerp painter Pieter Coecke van Aelst. Pieter Bruegel (Brueghel) the Elder (1525 – 1569) was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes (so called genre painting). [17] However, before this, Bruegel was already working in Mechelen, where he is documented between September 1550 and October 1551 assisting Peeter Baltens on an altarpiece (now lost), painting the wings in grisaille. Bruegel only etched one plate himself, The Rabbit Hunt, but designed some forty prints, both engravings and etchings, mostly for the Cock publishing house. Voir plus d'idées sur le thème brueghel l'ancien, peinture flamande, pieter brueghel l'ancien. [8] Guicciardini recorded that Bruegel was born in Breda, but Van Mander specified that Bruegel was born in a village (dorp) near Breda called "Brueghel",[9] which does not fit any known place. [47] Granvelle owned at least two Bruegels, including the Courtauld Flight into Egypt, but we do not know if he bought them directly from the artist. E 873, fig. Pieter Breughel der Jüngere, Jan Brueghel der Ältere: flämis, Luca Verlag, Essen, 1997, pp. On the right the view opens on to a long street laid out in central … He does the same with the fantastic and anarchic world developed in Renaissance prints and book illustrations.[7]. [43], Around 1563 Bruegel moved from Antwerp to Brussels, where he married Mayken Coecke, the daughter of the painter Pieter Coecke van Aelst and Mayken Verhulst. [40], Among his greatest successes were a series of allegories, among several designs adopting many of the very individual mannerisms of his compatriot Hieronymus Bosch: The Seven Deadly Sins and The Virtues. Making the life and manners of peasants the main focus of a work was rare in painting in Bruegel's time, and he was a pioneer of the genre painting. Upload media: Instance of: painting: Main subject: The Blue Cloak: Genre: genre art; Location: Museum Mayer van den Bergh, Antwerp, Arrondissement of Antwerp, Antwerp, Flemish Region, Belgium : Creator: Pieter Brueghel the Elder; Collection: Museum Mayer van den Bergh; Inventory number: 339 (Museum Mayer van … Pieter Bruegel (also Brueghel or Breughel) the Elder (/ˈbrɔɪɡəl/, also US: /ˈbruːɡəl/; Dutch: [ˈpitər ˈbrøːɣəl] (listen); c. 1525–1530 – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. Grove; Manfred Sellink in 2012 listed forty paintings, seventy drawings and seventy-five prints, the latter slightly higher numbers than other sources. However, this reversal can be taken to excess; although Bruegel moved in highly educated humanist circles, it seems "he had not mastered Latin", and had others add the Latin captions in some of his drawings. 7 oct. 2017 - 1563 Pieter Bruegel the Elder – The Tower of Babel, Detail a machine of construction: [22] However, all the drawings from the trip that are considered authentic are of landscapes; unlike most other 16th-century artists visiting Rome he seems to have ignored both classical ruins and contemporary buildings. Pieter Bruegel the Elder (Netherlandish, Breda (?) His 1564 painting The Procession to Calvary inspired the 2011 Polish-Swedish film co-production The Mill and the Cross, in which Bruegel is played by Rutger Hauer. ca. His famous set of landscapes with genre figures depicting the seasons are the culmination of his landscape style; the five surviving paintings use the basic elements of the world landscape (only one lacks craggy mountains) but transform them into his own style. [35] Today, only five of these paintings survive and some of the months are paired to form a general season. His friend Abraham Ortelius described him in a friendship album in 1574 as "the most perfect painter of his century", but both Vasari and Van Mander see him as essentially a comic successor to Hieronymus Bosch. Van Mander tells a story that his mother-in-law pushed for the move to distance him from his established servant girl mistress. Bruegel's return route is uncertain, but much of the debate over it was made irrelevant in the 1980s when it was realized that the celebrated series of large drawings of mountain landscapes thought to have been made on the trip were not by Bruegel at all. 1559. The most-copied painting is the Winter Landscape with (Skaters and) a Bird Trap (1565), of which the original is in Brussels; 127 copies are recorded. Search for Library Items Search for Lists Search for Contacts Search for a Library. [36] That imitations of Bosch sold well is demonstrated by his drawing Big Fish Eat Little Fish (now Albertina), which Bruegel signed but Cock shamelessly attributed to Bosch in the print version. Further, Williams' final collection of poetry references a number of Bruegel's work. Although the subject matter of his graphic work was often continued in his paintings, there are considerable differences in emphases between the two oeuvres. From 1559, he dropped the 'h' from his name and signed his paintings as Bruegel; his relatives continued to use "Brueghel" or "Breughel". Among his sixty … Une famille des peintres flamands vers 1600, exhibition catalogue, Lingen, 1998, p. 388, no. PIETER BRUEGHEL L'ANCIEN (vers 1525-1569) – Une vie, une œuvre [2005] - Duration: 1:28:33. Humanist ideals from the previous century influenced artists and scholars. Seamus Heaney referenced Brueghel in his poem "The Seed Cutters". Quite leisurely from the disaster; the ploughman A Pig Has To Go in a Sty, 1557, Bruegel's earliest genre scene, The Fall of the Rebel Angels, (1562), Royal Museums of Fine Arts of Belgium, The Wedding Dance (c.1566), oil on oak panel, The Detroit Institute of Arts, The Census at Bethlehem (1566), oil on wood panel, Royal Museums of Fine Arts of Belgium. Main category: Paintings by Pieter Bruegel (I) Landscape with Christ and the Apostles at the Sea of Tiberiaslabel QS:Len,"Landscape with Christ and the Apostles at the Sea of Tiberias"label QS:Lhu,"Krisztus és az apostolok a Genázáreti tó partján"label QS:Lde,"Christus und die Apostel am See Genezareth"label QS:Lpl,"Krajobraz z Chrystusem i apostołami na Jeziorze Galilejskim" 1553. oil on panelmedium QS:P186,Q296955;P186,Q287,P518,Q861259. In paintings like The Peasant Wedding, Bruegel painted individual, identifiable people, while the people in The Fight Between Carnival and Lent are unidentifiable, muffin-faced allegories of greed or gluttony. He made medals and tombs in an international style for the Brussels elite, especially Cardinal Granvelle, who was also a keen patron of Bruegel. Brought to you by During the 1560s the early scenes crowded with multitudes of very small figures, whether peasant genre figures or figures in religious narratives, give way to a small number of much larger figures. no. [29], The critical treatment of Bruegel as essentially an artist of comic peasant scenes persisted until the late 19th century, even after his best paintings became widely visible as royal and aristocratic collections were turned into museums. Winter Landscape with (Skaters and) a Bird Trap, List of paintings by Pieter Bruegel the Elder, "Pieter Bruegel, the Elder | Flemish artist", Pieter-Bruegel-The-Elder.org: 99 works by Pieter Bruegel the Elder, Pubhist.com: Gallery of all paintings and drawings, Academia.edu: The political consciousness of Pieter Bruegel, Adoration of the Magi in a Winter Landscape, https://en.wikipedia.org/w/index.php?title=Pieter_Bruegel_the_Elder&oldid=999873984, Members of the Antwerp Guild of Saint Luke, Short description is different from Wikidata, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Paschasia Brueghel x Hieronymous van Kessel the Younger, "Grove": Wied, Alexander and Van Miegroet, Hans J. Children's Games shows the variety of amusements enjoyed by young people. Pieter Breughel le jeune (1565-1637/8), Jan Brueghel l'ancien (1568-1625) : une famille des peintres flamands vers 1600 : [exposition] Koninklijk Museum voor Schone Kunsten, Anvers, 3 mai-26 juillet 1998 by Pieter Bruegel Réné van Bastelaer Les estampes de Peter Bruegel l'ancien. Poet Sylvia Plath references Bruegel's painting The Triumph of Death in her poem "Two Views of a Cadaver Room" from her collection 'The Colossus and Other Poems.